Dave
Marsh
| Frank Stefanko | Barbara
Hall | Gretchen
Peters
Robert Santelli | Daniel
Wolff | Jean Mikle | Stan
Goldstein
Biographies

Dave Marsh, rock
critic, historian, anticensorship activist, talk show
host, and "Louie Louie" expert, has written
more than twenty books about rock and popular music, as
well as editing that many more. He co-founded Creem,
the legendary Motor City rock and roll magazine that helped
launch heavy metal, glam, and punk, among other styles,
and spent five years as an associate and contributing
editor of Rolling Stone, where he was chief music
critic, columnist, and feature writer. From 1985-2002,
he served as monthly music critic for Playboy.
For the past twenty years, Marsh has written and edited
the monthly music and politics newsletter, Rock and
Rap Confidential. He has lectured widely on music,
politics, and censorship. He compiled 50 Ways to Fight
Censorship (Thunder's Mouth, 1990), and was co-editor
with Don Henley of Heaven Is Under Our Feet: A Book
for Walden Woods (Longmeadow Press, 1991), essays
in honor of Walden Woods and Henry David Thoreau, written
by everyone from Jimmy Buffet and Jimmy Carter to Janet
Jackson and Jesse Jackson. Marsh also edited the first
two editions of The Rolling Stone Record Guide, and
Pastures of Plenty, the papers of folksinger
Woody Guthrie.
In 2003, Marsh began hosting Kick Out the Jams,
a weekly two hour radio talk show about music and social
and political issues on the Sirius Satellite Network.
The nineteen-year-old Marsh dropped out of Detroit's Wayne
State University to edit Creem in 1969. He departed
in 1973 to become Newsday's pop music critic,
spent a short spell as music editor of The Real Paper,
returned to Newsday, and in 1975, joined Rolling
Stone as chief reviewer, feature writer, and columnist.
He and several others started Rock and Rap (then
Rock and Roll) Confidential in 1983.
(Marsh edited an anthology of material from the newsletter,
The First Rock and Roll Confidential Report, in
1985.) From 1987 to 1992, Marsh served as acerbic rock
critic for the weekly syndicated radio program, "Rock
Today."
Marsh's first book, Born to Run: The Bruce Springsteen
Story (Doubleday) was published in 1979. It made
the New York Times best-seller list. He has also
written Trapped: Michael Jackson and the Crossover
Dream (Bantam, 1986), Before I Get Old: The Story
of the Who (St. Martin's Press, 1983), Elvis
(Times Books, 1982; Thunder's Mouth Press, 1992), The
Book of Rock Lists (Dell, 1980), Sun City: The
Making of the Record (Penguin, 1985), Rocktopicon
(Contemporary, 1982), and Fortunate Son, a collection
of his journalism and criticism (Random House, 1983).
Glory Days: Bruce Springsteen in the 1980s, a
sequel to Born to Run, appeared in 1987, and
became a national hardcover bestseller. (In 2003, Routledge
published Born to Run and Glory Days
in a single volume with an epilogue, titled Two Hearts.)
The Heart of Rock and Soul: The 1001 Greatest Singles
Ever Made (Plume/NAL, 1989) remains the world's lengthiest
act of rock criticism; Louie Louie: The History and
Mythology of the World's Most Famous Rock 'n' Roll song;
Including the Full Details of Its Torture and Persecution
at the Hands of the Kingsmen, J. Edgar Hoover's F.B.I.,
and a Cast of Millions; and Introducing, for the First
Time Anywhere, the Actual Dirty Lyrics (Hyperion,
1992), may be the strangest.
Marsh's other books include Merry Christmas Baby:
Holiday Music from Bing to Sting (Little Brown, 1992),
co-written with Steve Propes, The New Book of Rock
Lists, created with James Bernard, and, as general
editor, Mid-Life Confidential: The Rock Bottom Remainders
Tour America with Three Chords and an Attitude (Viking),
a book about the experiences of the all-author rock band
featuring Stephen King, Amy Tan, Dave Barry, Barbara Kingsolver,
and Marsh, among others; and The Great Rock 'n' Roll
Joke Book (St. Martin's Press, 1997). He also edited
the oral history series, For the Record for Avon
Books, and wrote the first of its nine volumes with Sam
Moore of Sam and Dave.
He is currently writing Freedom Songs: The Music of
the Civil Rights Movement.
Marsh lives in Connecticut with his wife, Barbara Carr,
and two cocker spaniels. He serves on the advisory board
of The National Writers Union and as a trustee of the
Kristen Ann Carr Fund, which funds sarcoma research and
services for teenagers and young
adults with cancer, named in honor of his late daughter.
Frank
Stefanko is a fine art photographer whose work
graces the album covers of Bruce Springsteen's Darkness
on the Edge of Town and The River, as well
as the cover of Southside Johnny's Hearts of Stone
album. Frank's photographs also appear on Bruce Springsteen's
albums, Live 75/85, Greatest Hits, Tracks, and
The Essential Bruce Springsteen.
Mr. Stefanko is the author of the book Days of Hope
and Dreams / an Intimate Portrait of Bruce Springsteen
published by Billboard Books division of Watson-Guptill.
Photographs from the book have been exhibited in two major
Days of Hope and Dreams gallery shows.
The first show opened in September 2003 at Govinda Gallery
in Washington, D.C., followed by a showing at the Earl
McGrath Gallery in New York City in March of 2004. Frank's
work also appears in Bruce Springsteen's book Songs,
Patti Smith's book Complete, and Dave Marsh's
book Born to Run.
In addition, five of Mr. Stefanko's Springsteen photographs
are exhibited in the traveling museum show titled Bruce
Springsteen, Troubadour of the Highway. The show
has had unprecedented attendance at The Frederick Weisman
Museum in Minneapolis, The Cranbrook Museum near Detroit,
The Experience Music Project in Seattle, and the Newark
Museum, in Newark, New Jersey.
Frank's portfolio includes vintage and contemporary photographs
of Bruce Springsteen and Patti Smith, as well as other
rock artists from the sixties and seventies including
The Rolling Stones, Rod Stewart, Janis Joplin, Frank Zappa
and the Mothers of Invention, Bette Midler, Johnny Winters,
and more. Aside from his rock photography portfolio, Frank
has an eclectic collection ranging from vintage portraits
and street scenes to his more contemporary landscape photography.
Most of Frank's work is still done in black and white
silver gelatin fine art prints.
Living in New Jersey, Mr. Stefanko has been making photographs
for over fifty years. Self taught as a boy, Frank excelled
in art and photography in high school and college.
Barbara
Hall
Creator and Executive Producer
"Joan of Arcadia" (CBS)
"In the pilot Joan says, 'Why are you appearing to
me?' And He says, 'I'm not appearing to you--you're seeing
me. 'The idea is that God is everywhere and available
to everyone all the time. For some reason, Joan has chosen
to tap into this."
What if God suddenly began talking to you, in the form
of different people? If you were a teenage girl absorbed
in the usual throes of youth, would you follow God's cryptic
directives? Would you tell anyone? Would others think
you were crazy? Such are the central questions of the
one-hour, Emmy nominated, People's Choice winning, CBS
series "Joan of Arcadia," airing Fridays
from 8:00-9:00 p.m. ET/PT. And such are the kinds of questions,
in that earthly dance between physics and metaphysics,
which pose great interest to series creator and executive
producer Barbara Hall.
Fresh
from her success as executive producer of the hit CBS
drama "Judging Amy" (on which she now serves
as a consulting producer as it enters its fourth season),
the multi-Emmy-nominated Hall has not become transfixed
on a higher source of Judgment, rather a piece of entertainment
that inspires more questions than it answers. "I
saw a lot of documentaries and things after September
11th that dealt with issues of faith," says Hall.
"There's something in the zeitgeist now--people are
willing to look at spiritual issues."
Woven
through with an earnest sense of mysticism, "Joan
of Arcadia" reinvents the Joan of Arc legend in the
form of Joan Girardi (Amber Tamblyn), a teenager who keeps
encountering God: whether as a cute boy or the lunch lady.
For now she decides to follow God's advice, keeping it
hidden from her police chief father (Joe Mantegna), her
intrusive mother (Mary Steenburgen), her geeky younger
brother (Michael Welch), and her older brother, a former
football star now paralyzed by a car accident (Jason Ritter).
"Part
of the drama is that her behavior looks crazy to her family,"
says Hall, whose internal Ten Commandments for the series
include such dictums as "God can't directly intervene,
He can only work through people," and "God can
never choose one religion over another." As Hall
further explains, "God says to Joan in the pilot,
'It's not about religion. It's about fulfilling your nature.'"
As
a child growing up in Chatham, Virginia, Barbara Hall
had a single vision, moved toward writing by the isolation,
even frustration, of a small Southern town. The youngest
of three siblings, she often collaborated on stories with
her older sister, knowing by the age of eight what career
path lay ahead. She attended James Madison University,
garnering myriad awards on the way to a Bachelor of Arts
degree in English. Cognizant that a struggling writer
should choose between New York and Los Angeles, two days
after graduation she moved to L.A. Says Hall, "I
figured if I had to starve, I didn't have to freeze."
On
the west coast she wrote her first novel, Skeeball
and the Secret of the Universe, which got the attention
of an agent and, consequently, producer Gary David Goldberg.
Despite the fact that there were few women writers in
TV in the early 80s, Hall sold her first story to "Family
Ties" and was soon hired by "Newhart" as
a comedy writer before being promoted to story editor.
Disliking
the roundtable format of comedy writing, Hall switched
to the more personal medium of television drama. She honed
her chops in the shadow of Joshua Brand and John Falsey,
serving as story editor of "A Year In the Life"
before spending a year as co-producer of "Moonlighting"
and as producer of "Anything But Love." In 1990
she began a two-year tenure with David Chase as co-executive
producer of "I'll Fly Away," a "perfect
experience" which "totally changed my approach
to TV, the closest I ever came to fiction writing on television."
With the cancellation of the series, she reunited with
Brand, Falsey, and Chase as consulting producer on "Northern
Exposure."
Hall
furthered her reputation as a can-do producer with three
TV pilots, including "The Doyles," which TV
Guide endorsed as a great show whose potential was never
exploited. Undaunted, she wrote a memorable episode of
"ER" before spending two years with "Chicago
Hope," first as co-executive producer, then as consulting
producer. In 1999 Hall was tapped to executive produce
"Judging Amy," a drama less about a juvenile
court judge and her application of the law than a single
mother starting over. During its three seasons, the series
has earned kudos for its star Amy Brenneman and for Tyne
Daly, who portrays her well-meaning mother, a former social
worker.
Making
inroads into feature film with her original screenplay
Hearts for Warner Bros. and a rewrite of Sylvie
for Beacon Pictures, Hall never let a successful television
career diminish her enthusiasm for the novel. Her first
long-form work, Skeeball and the Secret of the Universe
(1987, Orchard Press), wove the tale of a boy from a blue-collar
family whose quest to do something important spurs him
to become the world's greatest skeeball player. Her subsequent
young adult novels include: Dixie Storms (1990,
HBJ), a family crucible set on a Virginia tobacco farm;
Fool's Hill (1992, Bantam), a small-town tale of
friendship and betrayal; and the mystery House Across
the Cove (1995, Bantam).
Bridging
into novels for mature readers, Hall penned A Better
Place (1992, Simon & Schuster), about an egocentric
woman whose failure in Hollywood is met by fear in her
home town when people learn she is returning; and Close
to Home (1997, Simon & Schuster),
a dark tale about a woman who begins to learn disturbing
things about her new husband and his home town where they
now live. Her latest novel A Summons To New Orleans
(Simon & Schuster), was released in 2000 and centered
around three female friends and a rape trial set in the
Cajun city.
"The
greatest achievement in writing is to make people laugh
one minute and cry the next," says Hall. All of my
heroes did that, from Mark Twain to Preston Sturges. At
the end of the day, I try to bring to my work a sense
of hopefulness." Her work has clearly resonated with
audiences and critics alike. In the realm of television,
she has been nominated for three Emmys ("I'll Fly
Away," "Northern Exposure") and a Golden
Laurel from the Producers Guild of America, receiving
a Humanitas Award, NAACP Image Award and TV Critics Association
Award. "Judging Amy," earning numerous Emmy
and Golden Globe nominations for its cast and crew, was
nominated for New Program of the Year at the 2000 Television
Critics Association Awards and won Favorite New Series
at the 2000 TV Guide Awards. Hall's literary work has
also been recognized by the American Library Association
Best Books & Notable Books.
Not
confining her talents to the written page, Hall is an
accomplished musician, vocalist, and founding member of
the alternative-country-rock band The Enablers. The Enablers
CD, Come Back Soon, is available via her Web site at www.theenablers.net.
Her musical talents have also been heard on television,
having written a song for "Chicago Hope." Barbara
Hall lives in Pacific Palisades, California, with her
daughter Faith.
Hailed
by many as one of Nashville's best contemporary songwriters,
Gretchen Peters' intelligent and introspective
songs have been covered by pop, country, blues, and folk
artists all over the world. She possesses a rare ability
to drive a strong point, yet capture it eloquently in
song. That ability has won Peters two Grammy nominations
for the heart-wrenching Patty Loveless hit, "You
Don't Even Know Who I Am," and Martina McBride's
award-winning recording of "Independence Day",
an in-your-face look at domestic violence. She has sold
millions of records over the past decade, as stars Faith
Hill, Bonnie Raitt, Martina McBride, Etta James, The Neville
Brothers, George Strait, Trisha Yearwood, Bryan Adams,
Patty Loveless, Billy Ray Cyrus, Pam Tillis, Neil Diamond,
and a host of others have covered her songs.
As
an artist, Gretchen has regularly toured in the United
Kingdom, Ireland and Europe to sold-out crowds, and with
the Curb Records, Ltd. reissue of her first two albums,
The Secret of Life and Gretchen Peters(both newly re-mastered
with bonus tracks), her music is again widely available.
In
a review of her self-titled album, Gretchen Peters, The
Associated Press says, "This is not jukebox music--the
stuff that exists to fill in the pauses in conversation.
This IS the conversation." Recent reviews of her
new CD, Halcyon (May 2004), include the following:
"Halcyon
could arguably be Gretchen Peters' finest recording to
date."
--HMV
review
"a
masterly lesson in the art of effortless, fluid writing-with
pared down arrangements and a lightness of touch that
oozes confidence"
"A brave and beautiful collection "
--David
Lloyd, Manchester Online
"In
a word, superb. Gretchen is one of USA's best singer-songwriters,
and this ranks as her finest moment "
--Leicester
Mercury review
"one
of a rare breed in Nashville"
"unlike the competition she regularly approaches
(her) subject from an oblique angle lyrically and in the
process draws you inexorably into her world."
--Arthur
Wood, Folkwax Magazine
Gretchen
was nominated in 2003 for a Golden Globe award for her
work on the DreamWorks animated film, Spirit: Stallion
of the Cimarron, and her multi-award winning "Independence
Day" was recently included in CMT's list of The Top
100 Greatest Songs in Country Music. Halcyon is enjoying
great reviews and brisk sales in the United Kingdom and
Northern Ireland on Curb Records, Ltd. Gretchen's first
live CD, Trio, is due out later this year. She has just
signed an exclusive North American booking agreement with
The Val Denn Agency in Austin and Nova Scotia.
Robert
Santelli
New
Jersey native Robert Santelli has written about Bruce
Springsteen, the E Street Band, and the Jersey Shore rock
scene since the early '70s. Santelli began his music journalism
career as the rock critic for the Asbury Park Press
in 1972 when he was still an undergraduate at Monmouth
College. In the '70s and '80s Santelli wrote extensively
for New Jersey Monthly and the New Jersey-based
alternative music paper, The Aquarian Weekly,
before becoming a contributor to Rolling Stone, Modern
Drummer, CD Review, and other music publications.
In
addition to authoring and editing his own books on American
music, Santelli worked with E Street Band drummer Max
Weinberg on his book, The Big Beat: Conversations
with Rock's Greatest Drummers (Contemporary, 1984)
and Bruce Springsteen's Songs (Avon, 1998). Santelli
is currently working with E Street Band keyboards player,
Danny Federici, on his memoirs and finishing up his own
book, Teardrops on the City: Bruce Springsteen and
the Asbury Park Music Scene.
Santelli
taught classes in popular music and American studies at
Monmouth and Rutgers Universities before moving to Cleveland
in 1995 to become the first director of education at the
Rock and Roll Hall of Fame and Museum. In 2000, Santelli
left the Rock Hall to head Experience Music Project in
Seattle.
Daniel
Wolff's most recent book is 4th of July/Asbury
Park: A History of the Promised Land (Bloomsbury,
USA). He's the author of the award-winning You Send
Me: The Life and Times of Sam Cooke and his most
recent collaboration with photographer Ernest Withers
is Negro League Baseball. Mr. Wolff was executive
producer of The Agronomist, a film by Jonathan
Demme.
Jean
Mikle has been a staff writer for the Asbury
Park Press since 1986. She has been following the Jersey
Shore music scene for the past 25-plus years and continues
to enjoy the music today.
Stan Goldstein
is a sports copy editor for the Newark Star-Ledger.
He also has worked for the Asbury Park Press and Home-News
Tribune. He has been following the Jersey Shore music
scene for more than thirty years.
Jean and Stan always knew there would be an interest in
showing off the rock and roll sites at the Jersey Shore
and started giving tours of Asbury Park and Freehold in
1999.
Their book, Rock and Roll Tour of the Jersey Shore
was self-published in 2002 and it sold out after it's
second printing. They decided to do an expanded, revised
edition, and that 146-page book came out in December of
2004 and is available today.